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1The B minor has been criticised for being too much in the etude vein.
2In the broadest sense of the word, every piece of music is an etude.
3Aside from a few rallentando places, the etude is to be played strictly in time.
4Miss Flora Cantwell launched into an etude.
5The first prelude, which, like the first etude, begins in C, has all the characteristics of an impromptu.
6Chopin needs no such clangorous padding in this etude, which gains by legitimate strokes the most startling contrasts.
7Its agitated, whirring, unharmonized triplets are strangely disquieting, and can never be mistaken for mere etude passage work.
8It is easy to lose the way, to focus on one thing when the etude is about something else.
9Compare with this etude the introduction to the Capriccio in B minor, with orchestra, by Felix Mendelssohn, first page.
10Pianists usually take the first part too fast, the second too slowly, transforming this poetic composition into an etude.
11Von Bulow writes cannily enough, that the second study in A minor being chromatically related to Moscheles' etude, op.
12Riemann has his own ideas of the phrasing of the following one, the fifth and familiar "Black Key" etude.
13This etude is an exceedingly piquant composition, possessing for the hearer a wondrous, fantastic charm, if played with the proper insight.
14Keys and strings and vibrations of the air are but stimuli for the auditory experience which is the real nocturne or etude.
15What, indeed, despite the algebraic character of the tone-language, may not a lively fancy conjure out of, or, rather, into, this etude!
16This news, it is said, was the genesis of the great C minor etude in opus 10, sometimes called the "Revolutionary."